Start here: four machines that handle brass
Three HeatSign lasers and one pin machine. The lasers differ by part shape. The pin machine is there for jobs where colour will not last.
Valve bodies, fittings, rating plates, trophies, instrument parts. Brass covers all of it, and one kind of mark will not. A valve has to survive grease and a wrench. A trophy has to look right in someone's hands.
Brass also gets polished, and polishing wipes a surface mark away. So the first question is not which laser. It is how deep the mark has to go. HeatSign supplies a fiber laser marking machine for brass in all three finishes. For parts that take a beating, HeatSign also supplies dot peen marking machines. Those press the code in with a hard pin instead of burning it.
Reply within one working day. Free marking test. No sample shipping needed.
Three HeatSign lasers and one pin machine. The lasers differ by part shape. The pin machine is there for jobs where colour will not last.
Photos show you the mark. Video shows you the cycle time. Here a handheld unit writes serial data on brass plates, as clearly as a bench machine does.
Watch how little setup it needs. That is why shops pick a portable head for castings and fixed pipework.
Send a photo and tell us the material. We mark the same or similar brass, film it, and send you the video. Nothing to pay, nothing to ship.
No other common metal does this. One HeatSign machine makes white, black or deep relief, just by changing how the pulse is tuned. Pick the look first, because it sets the power you need.
A fine frosted mark that stays bright against the metal. Used on trophies, instruments and premium packaging, where looks matter more than depth.
A dark mark with sharp edges. This is what scanners want, so it suits data matrix codes, serial numbers and rating plates.
Metal is removed, not coloured. This is the only finish that lives through polishing, grit and years of handling.
Find your part in the first column and read across. The last column matters most. Polishing rubs a surface mark straight off the metal. If your parts get polished, only deep marks and pressed dots survive.
Cannot find your part above? That happens often. Coated brass, odd shapes and unusual alloys all sit between the rows. Just send us a photo. If you do not know which brass you have, say so. We will work it out.
These are the failures HeatSign is asked about most. Each answer also names the case where our machine is the wrong buy.
A black or white mark is a very thin layer on top of the metal. A buffing wheel takes that layer away, and the code goes with it. This is the single biggest surprise on brass.
Two ways round it. Mark after the final polish, or cut deep enough that buffing cannot reach the bottom. For parts polished again in service, pressed dots are safer than any laser we sell.
Polished brass acts like a mirror. A good part of the light comes straight back up the lens. Over time that returning light burns out the laser source itself.
Every fiber machine on this page has an optical isolator fitted as standard, not sold as an extra. Ask any supplier to put that in writing before you pay.
White looks better on brass, so people choose it for everything. Then the data matrix codes start failing. A scanner needs dark against light, and white on gold gives it neither.
Use white where a person reads the mark. Use black where a machine reads it. On one part that needs both, mark the logo white and the code black.
Most decorative brass leaves the factory under a clear lacquer. A pin drives through it and breaks the seal. The metal underneath then tarnishes at the very spot you marked.
A laser touches nothing. At low power it darkens the lacquer without opening it, and the coat keeps doing its job. Here our dot peen range is the wrong answer.
You do not have to work it out. Send a photo of the part and tell us what happens to it after marking. Polished, lacquered, or nothing at all. We will tell you which finish to use and which machine gives it.
Hobby machines sold for laser engraving brass cannot touch it bare. The metal sends the light straight back. Those units need a spray coating first, and even then the mark sits on top instead of in the metal. Only a fiber source at 1064 nm is taken in properly, which is why every HeatSign machine above is one.
There is good news here that does not apply to pure copper. Brass is about a third zinc, and zinc turns to vapour at 907 °C. That is well below the point where copper melts. A thin zinc-oxide film forms first and soaks up the beam far better than bare copper does. So fiber laser machines run comfortably at 30W on brass, while copper often needs 50W.

Codes, numbers and artwork. Putting them on is the easy part. They still have to be there after cleaning, polishing and fitting. That last day is what every HeatSign system is judged on.
The core of most orders. One number ties one brass part to one record for its whole life.
Square codes that hold a lot in little space. Black on brass gives a scanner the contrast it needs.
Valve bodies carry duty text by law. It has to stay readable for the life of the fitting.
Curves and thin strokes need a laser. A pin cannot hold detail that small on a polished face.
Often done a whole tray at a time. Import the list and the machine works down it.
CE, UID and GS1 formats for parts that cross borders and face an audit years later.

These parts meet grease, chemicals and tools. Nobody looks at them twice, but a failed audit starts here.

Here the mark is part of the product. It has to look deliberate on a surface people hold and inspect.
Brass is the one metal still marked five different ways. Before you buy any machine, check that the method itself is right. HeatSign sells two of these five. We will say when the other three suit you better.
Most shops asking us about laser marking brass are moving off one of the bottom three. They are tired of cutting new masks. Or of a die that makes one design only. Or of a cutter that cannot fit a code on a small part. A laser solves all three of those, and it is the honest reason to switch.
One thing we do not solve. Do you need thousands of fittings an hour, inside a line that runs by itself? Talk to Keyence, Technomark or SIC Marking. Those systems are built for that and ours are not. HeatSign fits the shop that marks in batches, on a bench, or out on the floor.
Tell us how you mark brass today and how many parts a week. We will say plainly whether switching is worth it.
Seven answers you will not find above. All of them come up in real HeatSign quotations.
Nine times out of ten it is the surface, not the machine. Fingerprints, cutting oil and an uneven tarnish layer all change how much light the metal takes in. One part comes out dark, the next comes out pale.
Wipe the parts with alcohol. Handle them by the edges or with gloves. If a batch has sat in storage for months, clean it first. Operators often chase the settings for an hour when the real fix takes ten seconds.
Yes, and the reason is the zinc. Yellow brass is around 30 percent zinc. Red brass is nearer 15 percent. Zinc turns to vapour at a low temperature and leaves a film that soaks up the beam. More zinc means an easier mark.
In practice yellow brass takes a good black mark at roughly the settings you would use on aluminium. Red brass and the free-cutting leaded grades need more power or a slower pass for the same result.
Yes, and on brass it matters more than on most metals. Heated brass gives off zinc oxide. Breathing it causes a flu-like illness that welders know as metal fume fever.
A filtered extractor at the marking head handles it. Keep the operator out of the plume. A dot peen machine gives off almost nothing, because it presses the metal rather than turning it to vapour.
A black mark will not. It is already an oxide, so the darkening that spreads over bare brass leaves it alone. Contrast often improves as the background dulls.
A white mark behaves the other way. It stands out more at first, then the whole face evens out over a year or two. For parts stored a long time before sale, a lacquer coat after marking holds the look.
Yes, and you get a choice. Low power darkens the lacquer without breaking it, so the coat stays whole. Higher power lifts the lacquer and shows bright metal underneath.
The second option looks stronger but opens a path for tarnish at the mark. On decorative hardware that matters, so we normally stay inside the coating.
No. Every HeatSign machine above handles both. Bronze is copper and tin rather than copper and zinc. It behaves close enough that settings carry over with small changes.
The one real difference is colour. Bronze starts darker, so a black mark shows less contrast than it does on brass. On dark bronze we usually suggest depth instead of colour.
Within limits. A 35W deep fiber system cuts brass sheet from roughly 0.1 mm to 0.3 mm. That covers shims, small tags and decorative stencils.
Above that you want a cutting machine, not a marking machine. Cutting is slow work for a marker, and running it that way shortens the life of the source.
No form to fill in. Just an email or a message with these three answers.